Land Art is composed primarily of the natural elements available at hand. Materials such as rocks, leaves, and water are the medium, and the terrain is the canvas.
The 2018 edition of the Land Art wall calendar presents the work of stone balance artist Michael Grab. His rock balancing is a meditative practice that flows with passion and patience. Achieving a challenging balance requires contemplation of both mental and physical elements in real time — the now. Encountering his creations inspires a sense of peace and magic — a feeling that anything is possible.
Working with contemplative patience amid the sound of flowing water, Michael Grab achieves impossible stone structures with gravity as his only “glue.” Although steady hands, slow breathing, patience, and problem solving are carefully honed skills essential to his craft, Michael’s work relies more on his ability to still his mind and tune in to the nature of the rocks and his surroundings. “There comes a point when the mind shuts off entirely, like in a deep meditative state.” Michael says. “In a very literal sense it feels like creating a state of union with the environment.”
Images from our Land Art 2016 wall calendar. Click image for more info.
Each year we showcase a different artist in our Land Art wall calendar. The emphasis of using materials from nature and creating installations in nature is consistent among all of these talented artists. But the materials they choose and the themes they explore are as diverse as the splendor of nature itself. Sally J. Smith was our featured artist for 2015, when the calendar explored her ice sculptures, twig architecture, and leaf and flower mandalas. Sally also builds faerie houses for a living!
For 2016 we’re honored to present the work of Dietmar Voorwold, which shows harmonious palettes of light and color and seems to defy gravity. He spends much of his time along the coasts and rivers of northern Scotland, where, sometimes in the course of a single day, nature moves through the spectrum of color, light, and weather, creating a lively spectacle throughout the sky and in the interplay with the earth. “It’s a matter of finding the balance,” he says. “The perfect place, the perfect material, the perfect shape. The right moment. There’s always a chance that the sculpture will collapse, the incoming tide will come too early, the light will change too quickly, a dog will step over my mosaics.” Photography is another important aspect of his art. This is how he freezes a brief moment. The actual installation will be gone within a few days or even minutes, depending on the rhythms of nature. The never-ending coming and going, the creating and letting go, the transitoriness and changeability in nature are charming aspects of his artwork.
In response to the WordPress.com photo challenge, Dietmar’s exquisite sense of balance and observational skills are a sublime example of being Careful. Continue reading
We asked Sally to share her thoughts and process on being an environmental artist. Her connection to nature and the magic within is captivating. ~ Amber Lotus
Image from the Faerie Houses 2016 wall calendar. Click image to see more.
When meeting new people in social settings, the inevitable question arises: “And what do you do?”
When this is asked of me there is often a long pause. The question hangs in the air. The querist leans in expectantly, waiting for me to fill in the void between us. Always a quick calculation has to be made: be vague and simplistic – “I’m an artist” – or more specific – “I’m an environmental artist.” But if the moment is right for either a shock or a smile, I will say, “I build Faerie houses for a living!” and wait for that idea to settle in. Continue reading
Here in the Pacific Northwest, we tend to hibernate during the winter months. My neighbors and I joke around about not seeing each other for months. In mid-March we suddenly start to converge on the street for spontaneous, tiny block parties to catch up and celebrate spring. (We also joke around about our coffee and beer consumption during winters in Portland, but that’s another blog post for another time.)
Spring is such a magical time with plants unfurling and blooming in vivid colors and divine shapes. The pale landscape starts to light up with color and dance with texture. It’s no surprise that so many artists are inspired and deeply connected to nature. Two of our calendar titles, Environmental Art and Land Art, show an extraordinary array of styles with nature and natural elements playing the central role.
Spencer Byles, forest materials, France, 2012
Featured in the Environmental Art 2015 wall calendar:
Environmental art takes many forms. It can be a thought-provoking presentation of nature in an urban landscape or an illumination of beauty that draws our awareness to our earthly surroundings. It can also be sublimely emotional, as with “Three Portals,” created by Spencer Byles. Approaching the portals, looking through to the path beyond, evokes a primal mystery. The forest bears witness to a rite of passage that can symbolize whatever you wish. The surroundings are as much a part of a work of environmental art as what the artist contributes. Byles says, “When working in forests or mountains or by a river with natural materials, I might leave the work for a period of weeks or months to allow nature to weave its way back onto, around, and through the materials before I return to complete it. The sculptures look more grounded in their environment once this action takes place.” Continue reading
We are honored to share this guest post written by one of our contributing artists, Andres Amador. His amazing, large-scale sand art delights and enchants viewers and we’re so glad he captures it all in photographs. His “Connections” image is featured in our Environmental Art 2015 wall calendar. We asked him to share some thoughts about working with an impermanent medium:
Connections © Andres Amador from the Environmental Art 2015 wall calendar
Impermanence is a central aspect of the art I make. Yet for something that will exist so fleetingly, a surprising amount of forethought, planning, and energy is required. Continue reading
Our 2015 calendars have arrived! It’s so wonderful to see boxes and boxes of the final pieces — amazing artwork from so many artists; inspiring text from wisdom teachers around the globe; and the realization of months of designing and planning. Honestly it feels like a gift each year to see the full collection.
In the 2015 Environmental Art wall calendar we’re featuring work by Manolo Paz, Sylvain Meyer, Wia Stegeman, and others. In this post, we’d like to share a bit more about Wia Stegeman.
Wia lives in The Netherlands and has a BA of Visual Arts from Academy Minerva, Arts Academy of Visual Arts, in Groningen. She’s a muti-faceted artist who explores painting, performance, photography, and installations. She describes her work as being “about the hidden reality.” Continue reading
2015 Cover – Menhirs for Peace by Manolo Paz
The 2015 edition of the best-selling Environmental Art Calendar will be available to purchase July 2014 — this will be our 8th year for this title. Andres Amador, Manolo Paz, and Sylvain Meyer are just a few of the artists that will be featured.
2014 Cover Image
© Bob Verscheuren
NEW – Check out this wonderful access to our Environmental Art Calendar Archive and links to information about each featured cover artists: Bob Verscheuren, Patrick Dougherty, Martin Hill, Nils-Udo, Jason de Caires Taylor and others.
2013 Cover Image
© Patrick Dougherty
2010 Cover Image
© Martin Hill
2008 Cover Image
View all the Calendar Covers with links to the Artist’s latest projects here!
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